Druk Text Light Light Style
Druk Text Light
| Designer | Berton Hasebe |
| Designed | 2019 |
| Last updated | 6 Jun, 2019 |
| Styles | 1 |
| Price | $50.00 |
| Character set | Standard character set |
Druk Text Light Light Style
Druk Text Light Light Style
Light weight drawn for a theater company.
Druk Text Light Light Style
sydneytheatre.com.au
Druk Wide Light Family
Druk Wide Light
| Designer | Berton Hasebe |
| Designed | 2017 |
| Last updated | 15 May, 2017 |
| Styles | 3 |
| Price | $50.00 style $150.00 family |
| Character set | Standard character set |
Druk Wide Light Family
Druk Wide Light Family
3 lighter weights of Druk Wide, originally drawn for Robert Vargas at Bloomberg Businessweek.
Druk Wide Light Family
Pialat Family
Pialat
| Designer | Berton Hasebe |
| Designed | 2010 |
| Last updated | 20 Aug, 2012 |
| Styles | 4 |
| Price | $50.00 style $150.00 family |
| Character set | Limited character set |
Pialat Family
Pialat Family
Drawn by Berton Hasebe in 2012, this was the display face for a couple of years in T, the New York Times Style Magazine, commissioned by Chris Martinez, then later used by Triboro for Prince’s posthumous memoir The Beautiful Ones.
Pialat Family
T, the New York Times Style Magazine, 2012
T, the New York Times Style Magazine, 2014
T, the New York Times Style Magazine, 2010
T, the New York Times Style Magazine, 2011
Prince’s memoir, designed by Triboro Design
Prince’s memoir, designed by Triboro Design
Prince’s memoir, designed by Triboro Design
Produkt Condensed Family
Produkt Condensed
| Designers | Kara Gordon, Berton Hasebe, Christian Schwartz |
| Designed | 2022 |
| Last updated | 9 Mar, 2022 |
| Styles | 18 |
| Price | $50.00 style $400.00 family |
Produkt Condensed Family
Produkt Condensed Family
Produkt is the slab serif companion to Graphik, falling into the tradition of adding slabs to European Grotesk, creating an attractive and functional companion serif typeface. Its serifs are relatively short, particularly in the heaviest weights, so it retains the compact proportions and regular texture that characterize Graphik. The family covers the full range of weights that make Graphik so useful. This width was drawn by Kara Gordon.
Produkt Condensed Family
Produkt Condensed Medium + Medium Italic
Produkt Typewriter Family
Produkt Typewriter
| Designers | Christian Schwartz, Berton Hasebe |
| Designed | 2018, 2021 |
| Last updated | 28 Jun, 2021 |
| Styles | 9 |
| Price | $50.00 style $200.00 family |
| Character set | Standard character set |
Produkt Typewriter Family
Produkt Typewriter Family
Drawn for Project Projects, for the 2018–2019 Carnegie International, and later finished for the interface of the Commercial Type Vault.
Produkt Typewriter Family
Archival website for the 2018–19 Carnegie International, designed by Project Projects/Wkshps
Produkt XX Condensed Family
Produkt XX Condensed
| Designers | Berton Hasebe, Christian Schwartz, Greg Gazdowicz, Kara Gordon |
| Designed | 2016-2021 |
| Last updated | 8 Mar, 2021 |
| Styles | 18 |
| Price | $50.00 style $400.00 family |
| Character set | Standard character set |
Produkt XX Condensed Family
Produkt XX Condensed Family
The heavy weights of Produkt XX Condensed were initially drawn by Greg Gazdowicz for the Village Voice, but the publication closed their print edition before the redesign by Luke Hayman's team at Pentagram could be implemented. Promphan Suksumek drew light weights and Kara Gordon completed and refined the family.
Produkt XX Condensed Family
Schnyder Titling Family
Schnyder Titling
| Designers | Berton Hasebe, Christian Schwartz, Jean-Frédéric Schnyder |
| Designed | 2013 |
| Last updated | 12 Feb, 2013 |
| Styles | 12 |
| Price | $80.00 style $500.00 family |
| Character set | All caps in 3 widths with standard punctuation |
Schnyder Titling Family
Schnyder Titling Family
Mixing different widths in a single headline was a signature of how Patrick Li and his team used Schnyder in T: The New York Times Style magazine between 2013 and 2019. Schnyder Titling was built to make it easier to implement this effect, with three widths of capitals combined into a single font and all kerned together. Uppercase is the widest proportion, lowercase the middle, and small caps the narrowest.
Schnyder Titling Family
Cover of T, 2017
Spread from T, 2013
Spread from T, 2013
Spread from T, 2015